Requiem Op.148 : Für Gem Chor Und Orchester Robert Schumann

Titel (DE): Requiem op. 148 - für Chor und Orchester
Titel (EN): Requiem op. 148 - für Chor und Orchester
Titel (FR): Requiem op. 148 - pour choeur et orchestre
Komponist / Composer: Schumann, Robert
Herausgeber / Editor: Appel, Bernhard R.
Bearbeiter / Arranger:
Illustrator:
Opus: op. 148
Werkverzeichnis:
Besetzung / Instrumentation: Chor und Orchester / choir and orchestra
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Eulenburg
Erscheindungsdatum / Date of Publishing: 18.01.2010
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 124
Verarbeitung: Broschur - Paperback/Softcover
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Lateinisch
Reihe / Series: Eulenburg Studienpartituren
ISMN: M-2002-2551-8
ISMN-13: 979-0-2002-2551-8
ISMN-EAN: 9790200225518
UPC: 841886014541

'This has to be written all by oneself' is what Schumann is supposed to have said to his first biographer after the completion of the Requiem. Thus began a reception history of the work created in 1852 before the outbreak of depression and fatal disease that was characterised by prejudices. It is impossible to tell what prompted the protestant Schumann to compose a Catholic requiem. With regard to music history, the mysterious, yet fascinating Requiem in the rare D flat major mode forms the connecting link between Mozart's and Brahms' requiems. And what is documented in a letter for the Missa sacra certainly applies to this work too: It was intended for both the concert hall and the church.
Au regard de l'histoire de la musique, ce mystérieux et fascinant Requiem, écrit dans la tonalité rare de ré bémol majeur, constitue le lien entre celui de Mozart et celui de Brahms.
Preface - Vorwort - Requiem aeternam - Te decet hymnus - Dies irae - Liber scriptus - Qui Mariam absolvisti - Domine Jesu Christe - Hostias et preces tibi - Sancuts - Benedictus

[FR]
'This has to be written all by oneself' is what Schumann is supposed to have said to his first biographer after the completion of the Requiem. Thus began a reception history of the work created in 1852 before the outbreak of depression and fatal disease that was characterised by prejudices. It is impossible to tell what prompted the protestant Schumann to compose a Catholic requiem. With regard to music history, the mysterious, yet fascinating Requiem in the rare D flat major mode forms the connecting link between Mozart's and Brahms' requiems. And what is documented in a letter for the Missa sacra certainly applies to this work too: It was intended for both the concert hall and the church.
Au regard de l'histoire de la musique, ce mystérieux et fascinant Requiem, écrit dans la tonalité rare de ré bémol majeur, constitue le lien entre celui de Mozart et celui de Brahms.
Preface - Vorwort - Requiem aeternam - Te decet hymnus - Dies irae - Liber scriptus - Qui Mariam absolvisti - Domine Jesu Christe - Hostias et preces tibi - Sancuts - Benedictus