Tocata & La Tumba De Alejandro Garcia Caturla From Islas Y Montanas Shelley Hanson

Titel (DE): Tocata & La Tumba de Alejandro Garcia Caturla - from Islas y Montañas
Titel (EN): Tocata & La Tumba de Alejandro Garcia Caturla - from Islas y Montañas
Titel (FR): Tocata & La Tumba de Alejandro Garcia Caturla - from Islas y Montañas
Komponist / Composer: Hanson, Shelley
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Illustrator:
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Besetzung / Instrumentation: Blasorchester / Wind band
Besetzungsdetails:
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Verlag / Publisher: Boosey & Hawkes, New York
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Ausgabe / Publication: Partitur und Stimmen - Score and parts -
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Verarbeitung: Mappe - Folder
Schwierigkeitsgrad / Difficulty: - -
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Reihe / Series: Windependence
ISMN: M-051-65989-0
ISMN-13: 979-0-051-65989-0
ISMN-EAN: 9790051659890
UPC: 73999554083

Shelley Hanson originally composed Islas y Montañas for orchestra. "Tocata" is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns based on the Cuban 3/2-clave rhythm. It's a great way to get the crowd ready for "La Tumba de Alejandro Garcia Caturla," originally the fourth movement from Islas y Montañas. It is beautifully transcribed here for concert band. It is a musical rumination about Cuban composer Alejandro Garcia Caturla (1906-1940) who studied with Nadia Boulanger but was later assassinated while presiding as a judge. It opens with a haunting English horn cadenza (alternate cueing provided) followed by harmonic shifts, intense soli writing and driving rhythms that sweep through the ensemble.

La Tumba - Tocata

[FR]
Shelley Hanson originally composed Islas y Montañas for orchestra. "Tocata" is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns based on the Cuban 3/2-clave rhythm. It's a great way to get the crowd ready for "La Tumba de Alejandro Garcia Caturla," originally the fourth movement from Islas y Montañas. It is beautifully transcribed here for concert band. It is a musical rumination about Cuban composer Alejandro Garcia Caturla (1906-1940) who studied with Nadia Boulanger but was later assassinated while presiding as a judge. It opens with a haunting English horn cadenza (alternate cueing provided) followed by harmonic shifts, intense soli writing and driving rhythms that sweep through the ensemble.

La Tumba - Tocata

M-051-65989-0

[EN]Shelley Hanson originally composed Islas y Montanas for orchestra. 'Tocata' is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns based on the Cuban 3/2-clave rhythm. It's a great way to get the crowd ready for 'La Tumba de Alejandro Garcia Caturla' originally the fouth movement from Islas y Montanas. It is beautifully transcribed here for concert band. It is a musical rumination about Cuban composer Alejandro Garcia Caturla (1906-1940) who studied with Nadia Boulanger but was later assassinated while presiding as a judge. It opens with a haunting English horn cadenza (alternate cueing priveded) followed by harmonic shifts, intense soli writing and driving rhythms that sweep through the ensemble.
[DE]Shelley Hanson komponierte Islas y Montanas ursprünglich für Orchester. 'Tocata' ist der erste Satz und fungiert als Fanfare oder Einleitung. Hier klatscht das gesamte Ensemble rhythmische Muster, die auf dem kubanischen 3/2-Clave-Rhythmus basieren. Es ist eine großartige Möglichkeit, das Publikum auf 'La Tumba de Alejandro Garcia Caturla' einzustimmen, ursprünglich der vierte Satz aus Islas y Montanas. Es ist hier wunderschön für Konzertband transkribiert. Es ist eine musikalische Betrachtung über den kubanischen Komponisten Alejandro Garcia Caturla (1906-1940), der bei Nadia Boulanger studierte, aber später ermordet wurde, während er als Richter amtierte. Es beginnt mit einer eindringlichen Kadenz des Englischhorns (abwechselnd mit prived), gefolgt von harmonischen Verschiebungen, intensiven Soli und treibenden Rhythmen, die das Ensemble mitreißen.