Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Schiffsfeger-Polka Beny Rehmann / Arr. Rudi Seifert
inc. tax
zzgl. Versand
zzgl. Versand
32,00
€
Duration: 3:22 min
Difficulty: 2
Difficulty: 2
Composer: Beny Rehmann
Arranger: Rudi Seifert
Arranger: Rudi Seifert
Article Nr: 108210
available in 9 days *
available in 9 days *
Rancherfest- Polka für Blasorchester Ernst Effinger / Arr. Rudi Seifert
UNTERHALTUNGSMUSIK
BLASORCHESTER
SONSTIGE TAENZE
Seifert, Rudi, Bearb.
inc. tax
zzgl. Versand
zzgl. Versand
29,00
€
Duration: --:-- min
Difficulty: -
Difficulty: -
Composer: Ernst Effinger
Arranger: Rudi Seifert
Arranger: Rudi Seifert
Article Nr: 178055
available in 8 days *
available in 8 days *
Pro Jenicka (Für Hans) Frantisek Vrsecky
"Pro Jenicka" (Für Hans) ist eine Polka für Blasorchester von Frantisek Vrsecky.
Noten - Blasorchester - Polkas - Format - Marschbuchformat
inc. tax
zzgl. Versand
zzgl. Versand
32,14
€
Duration: 3:00 min
Difficulty: 2+
Difficulty: 2+
Composer: Frantisek Vrsecky
Arranger:
Arranger:
Article Nr: 199698
available in 10 days *
available in 10 days *
Saga of the Clouds Fisher Tull
Inhalt / Content:
1. Stratus
2. Cirrus
3. Cumulo-nimbus
inc. tax
zzgl. Versand
zzgl. Versand
199,99
€
Duration: 12:20 min
Difficulty: 5
Difficulty: 5
Composer: Fisher Tull
Arranger:
Arranger:
Article Nr: 96145
available in 10 days *
available in 10 days *
Liebe Freunde Robert Payer / Arr. Siegfried Rundel
Polka für Blasorchester mit Gesang
Jubiläumsausgabe
inc. tax
zzgl. Versand
zzgl. Versand
32,00
€
Duration: --:-- min
Difficulty: -
Difficulty: -
Composer: Robert Payer
Arranger: Siegfried Rundel
Arranger: Siegfried Rundel
Article Nr: 97290
available in 19 days *
available in 19 days *
Bad'ner Mad'ln Karl Komzák (Sohn) / Arr. Frank Pleyer
Ernst Mosch u.s. Original Egerländer Musikanten
Direktion in C, Flöte in C, Oboe, Klarinette in Eb, 1.Klarinette in Bb, 2.Klarinette in Bb, 3.Klarinette in Bb, Fagott, 1.Alt-Saxophon in Eb, 2.Alt-Saxophon in Eb, 1.Tenor-Saxophon in Bb, 2.Tenor-Saxophon in Bb, Bariton-Saxophon in Eb, 1.Flügelhorn in Bb, 2.Flügelhorn in Bb, 1.Trompete in Bb, 2.Trompete in Bb, 3.Trom...
inc. tax
zzgl. Versand
zzgl. Versand
53,00
€
Duration: --:-- min
Difficulty: 4
Difficulty: 4
Composer: Karl Komzák (Sohn)
Arranger: Frank Pleyer
Arranger: Frank Pleyer
Article Nr: 97712
available in 9 days *
available in 9 days *
Rosamunde (Solo für 2 - 3 Posaunen) Jaromir Vejvoda / Arr. Gilbert Tinner
inc. tax
zzgl. Versand
zzgl. Versand
139,90
€
Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Composer: Jaromir Vejvoda
Arranger: Gilbert Tinner
Arranger: Gilbert Tinner
Article Nr: 97887
available in 15 days *
available in 15 days *
Zwei lustige Vagabunden - Solistische Polka Franz Watz
"Zwei lustige Vagabunden" ziehen durch die Lande in dieser heiteren solistischen Polka, die zu den bekanntesten und beliebtesten Kompositionen von Franz Watz gehört. Die zwei Solostimmen können variabel besetzt werden: zwei Tenorhörner, zwei Hörner, zwei Flügelhörner oder zwei verschiedene Instrumente, z.B. 1. Stimme Flügelhorn und 2. Stimme Bariton/Horn.
inc. tax
zzgl. Versand
zzgl. Versand
46,50
€
Duration: 4:00 min
Difficulty: 3+
Difficulty: 3+
Composer: Franz Watz
Arranger:
Arranger:
Article Nr: 97916
available in 5 days *
available in 5 days *
Annemarie Polka Silvester Herzog / Arr. Harald Sandmann
inc. tax
zzgl. Versand
zzgl. Versand
36,30
€
Duration: --:-- min
Difficulty: 2
Difficulty: 2
Composer: Silvester Herzog
Arranger: Harald Sandmann
Arranger: Harald Sandmann
Article Nr: 98492
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *
Burgrainer Polka (Fassung für Blasorchester) Ernst Hoffmann
ERNST HOFFMANN, Jahrgang 1928, stammt aus einer Musikerfamilie. Von Kindheit an erhielt er eine gründliche musikalische Ausbildung. Später besuchte er die Heeresmusikschule, studierte als Hauptfach Posaune am Bayer. Staatskonservatorium Würzburg und gehörte 25 Jahre als 1. Posaunist dem Musikkorps der 1. Gebirgsdivision Garmisch-Partenkirchen an.
Während dieser Zeit erwarb er ...
inc. tax
zzgl. Versand
zzgl. Versand
45,00
€
Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Composer: Ernst Hoffmann
Arranger:
Arranger:
Article Nr: 98519
available in 4 days *
available in 4 days *
Polka pro dobre Lidi / Ma Nejdrazsi Franz Bummerl
Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
inc. tax
zzgl. Versand
zzgl. Versand
41,00
€
Duration: --:-- min
Difficulty: -
Difficulty: -
Composer:
Arranger: Franz Bummerl
Arranger: Franz Bummerl
Article Nr: 98696
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *
Egerland Heimatland/Mama - nur noch als Einzelausgaben lieferbar J. Stepanek / Znaminko / Arr. Gerald Weinkopf
Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
Duration: --:-- min
Difficulty: -
Difficulty: -
Composer: J. Stepanek / Znaminko
Arranger: Gerald Weinkopf
Arranger: Gerald Weinkopf
Article Nr: 98965
permanently out of print *
permanently out of print *
Sag "Dankeschön" mit roten Rosen / Die kaiserlich-böhmische Polka Walter Geiger & Raimund Rosenberger / Arr. Vlad Kabec
Doppelnummer
inc. tax
zzgl. Versand
zzgl. Versand
27,00
€
Duration: 3:00 + 3:00 min
Difficulty: 3
Difficulty: 3
Composer: Walter Geiger & Raimund Rosenberger
Arranger: Vlad Kabec
Arranger: Vlad Kabec
Article Nr: 98966
available in 9 days *
available in 9 days *
Bergzauber (Polka) Rudi Seifert
inc. tax
zzgl. Versand
zzgl. Versand
29,00
€
Duration: --:-- min
Difficulty: -
Difficulty: -
Composer:
Arranger: Rudi Seifert
Arranger: Rudi Seifert
Article Nr: 98969
available in 8 days *
available in 8 days *
inc. tax
zzgl. Versand
zzgl. Versand
14,50
€
Duration: --:-- min
Difficulty: -
Difficulty: -
Composer:
Arranger:
Arranger:
Article Nr: 99096
available in 12 days *
available in 12 days *
Für meine Liebe (Polka) Franz Watz
inc. tax
zzgl. Versand
zzgl. Versand
20,00
€
Duration: --:-- min
Difficulty: -
Difficulty: -
Composer: Franz Watz
Arranger:
Arranger:
Article Nr: 99476
available in 5 days *
available in 5 days *
Unter der Zinne (Polka) Günther Schromm
inc. tax
zzgl. Versand
zzgl. Versand
20,00
€
Duration: --:-- min
Difficulty: -
Difficulty: -
Composer: Günther Schromm
Arranger:
Arranger:
Article Nr: 99510
available in 5 days *
available in 5 days *
Liebespärchen Jaromir Vejvoda / Arr. Franz Bummerl
Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
Partitur, Direktion in C, Gesang, Flöte in C, Oboe, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, Fagott in C, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B, Baritonsaxophon in Es, 1. Trompete in B, 2. Trompe...
inc. tax
zzgl. Versand
zzgl. Versand
39,00
€
Duration: --:-- min
Difficulty: 6
Difficulty: 6
Composer: Jaromir Vejvoda
Arranger: Franz Bummerl
Arranger: Franz Bummerl
Article Nr: 99735
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *
Böhmische Polkasterne Alfred Burger / Arr. Harald Kolasch
Duration: 6:09 min
Difficulty: 3+
Difficulty: 3+
Composer: Alfred Burger
Arranger: Harald Kolasch
Arranger: Harald Kolasch
Article Nr: 100286
permanently out of print *
permanently out of print *
Gabrielen-Polka Thorsten Reinau
Duration: 3:40 min
Difficulty: 3
Difficulty: 3
Composer: Thorsten Reinau
Arranger:
Arranger:
Article Nr: 100327
permanently out of print *
permanently out of print *
Ein schöner Traum Josef Jiskra
Leider nur ein Traum, leider nur ein schöner Traum. Unterm grünen Baum hatt ich einen schönen Traum. Alles war so wunderschön, davon weiß nur unser Baum, doch was von damals blieb, ist heute nur leider ein schöner Traum.
Eine gelungene Polka von Josef Jiskra, die auch als instrumentale Aufführung gute Wirkung erzielt.
inc. tax
zzgl. Versand
zzgl. Versand
25,00
€
Duration: 3:45 min
Difficulty: 3
Difficulty: 3
Composer: Josef Jiskra
Arranger:
Arranger:
Article Nr: 101112
available in 5 days *
available in 5 days *
Böhmischer Schwung Hans Bruss
inc. tax
zzgl. Versand
zzgl. Versand
24,00
€
Duration: 02:34:00 min
Difficulty: 3
Difficulty: 3
Composer: Hans Bruss
Arranger:
Arranger:
Article Nr: 101118
available in 5 days *
available in 5 days *
Ein Strauss Melodien Karel Jakes / Arr. Frank Pleyer
Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
Partitur, Direktion in C, Gesang, Flöte in C, Oboe, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, Fagott,
1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B, Baritonsaxophon in Es, 1. Trompete in B, 2. Trompete i...
inc. tax
zzgl. Versand
zzgl. Versand
39,00
€
Duration: 3:33 min
Difficulty: 3
Difficulty: 3
Composer: Karel Jakes
Arranger: Frank Pleyer
Arranger: Frank Pleyer
Article Nr: 101233
available in 9 days *
available in 9 days *
Tenor-Souvenir (Foxpolka) J.C. Zeilinger
inc. tax
zzgl. Versand
zzgl. Versand
59,00
€
Duration: --:-- min
Difficulty: -
Difficulty: -
Composer: J.C. Zeilinger
Arranger:
Arranger:
Article Nr: 101410
available in 8 days *
available in 8 days *
* Information on availability is based on previous experiences. Prices and availability are subject to change without notice!





